Ben Chasny | The Intimate Landscape
Ben Chasny | The Intimate Landscape

Ben Chasny | The Intimate Landscape


Drag City
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A new instrumental album of acoustic guitar playing from Six Organs
of Admittance’s Ben Chasny! Everybody knows it’s been far too long
since 2004’s much-beloved For Octavio Paz; even as the landscape has
crowded with acoustic players, we’ve all been dying to hear Ben’s dis-
tinctive virtuosity again in this format. But The Intimate Landscape is so much more...

KPM Music, the legendary British library music company, extended
an offer to Ben to make some songs for their library. Well aware of
their history, he immediately agreed. The field of library music (music
made for hire, for use in placement in films and advertising) is one that’s
come to public consciousness only relatively recently in the long century
of record-making, but the influence of such records has been felt for
years in the aesthetics of many diverse artists, including several who’ve recorded for Drag City. So it’s a special thing for Drag City, whose appreciation for Ben’s unique artistry has been borne out over a countless variety of releases, to issue this really amazing entry in both the KPM
Music tradition and the ever-expanding Ben Chasny/Six Organs of
Admittance ouvre.

Ben chose the acoustic guitar for these recordings after considering
the width and breadth of possible music he could make for the occasion.
His approach while playing it was simple—deceptively so: to make music as present and immediate and beautiful as possible. This type of playing requires a deep breath before beginning, as it has to generate from within, as well as at the fingertips.

The resulting music is inventive and engaging, both in and out of the astral style
of Ben’s music and the utilitarian genre of music to which he’s contributing. The
album’s title—The Intimate Landscape—is a clue to these dual intentions, as is
Ben’s use of his given name rather than the 6OOA alias he has preferred in his
career. These songs manifest lovely themes played on acoustic guitar, recorded
with spacious, almost pastoral ambiance; richly evocative pieces that can fill the
multiple purposes of any sound library around the world. When paired with their
titles, however—such as, “Last Night to Use the Telescope,” “Circular Road,” and
“On the Way to the Coast”—these pieces are profoundly re-contextualized as
potent personal expressions. So too are the songs with titles like “Water Dragon.”
“Star Cascade,” and “Dust In the Ravine.” Two decades-plus into his life in music,
Ben’s got the craft and ability to make music that can be encompassingly heard as
intimate AND universal.

Going for melody, Ben employs a relaxed technical facility, supported by a few guitar overdubs, plus several well-placed synths and a passage of wordless vocalizing, accessing the murky depths of his reservoir of spirituality while hand-spinning irresistible sonic candy at the same time. This is a greatly engrossing listening experience, regardless of what the listener’s intentions are.

Given the rarity of such lovely acoustic essays from the fingers of Ben Chasny,
and thanks to EMI and KPM Music, we’ll find ourselves returning to gaze over The
Intimate Landscape often, for many years to come.

The Many Faces of Stone 2:35
Last Night to Use the Telescope 2:59
Waterfall Path 2:57
Cross-Winged Formation 2:50
Water Dragon 2:46

Star Cascade 2:14
Where Have All the Summers Gone 2:48
Circular Road 2:45
Six Diamonds 2:54
Dust in the Ravine 3:06
Fading Blue 2:44
Second Moon 3:03
On the Way to the Coast 3:05